God, Sex and Shostakovich part 2 continues the compelling story that began in the first part, exploring the themes of love and meaning from a young woman's perspective. As she navigates her journey filled with unexpected twists and encounters, humor and suffering abound once again.
In God, Sex and Shostakovich part 2 (conclusion), Rata performs alongside her cello and pianist René Veen, illustrating that life has its worth even when it feels overwhelming. The live music of Shostakovich communicates profound emotions that words cannot express.
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Text and cello Rata Kloppenburg – www.rataklop.nl
Piano René Veen
Direction Allan Zipson
Text advisory George Groot (in memoriam) and Laura van Dolron
Production Stichting SchatKamer Opera
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PART 2 CAN BE ENJOYED WITHOUT PRIOR KNOWLEDGE OF PART 1.
For inquiries, please email Stichting SchatKamer Opera at deschatkameropera@gmail.com
“Why does someone engage with God, Sex, and Shostakovich?”
Both God and Sex are burning topics for Rata, presented with intensity and authenticity. The musical fire of Shostakovich accentuates her performance, showcasing the fragile nature of a free musical spirit during conservatory years.
The main challenge for artists is to captivate the audience enough that they forget themselves...
This performance left a significant impression, merging autobiography with an astonishing level of candidness. Rata Kloppenburg shares intimate details, bringing humor and laughter to balance the poignant moments.
The emotions Rata experienced during her youth resonate with many, making her “light-hearted monologue” a fitting description of the performance.
Pianist René Veen deserves commendation for his steady support, providing an expressive backdrop for Rata during the one-and-a-half-hour monologue.
In summary: highly recommended for introspection and guaranteed discussions afterward!”
~Kees Swenne
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